Big ideas, real impact.

Here, creativity meets opportunity. Whatever you're building, we're here to help you take the first step with confidence. Driven by curiosity and built on purpose, this is where bold thinking meets thoughtful execution. Let’s create something meaningful together.

Paul Morris is a freelance Art Director based in New York City. For nearly 30 years he has led editorial, campaign, and digital design for Condé Nast (The New Yorker, Vogue, Allure, Bon Appétit), American Express Departures, JetBlue, Pantene, Moët & Chandon, Neutrogena, Band-Aid, and the Smithsonian Institution. His work pairs editorial craft with campaign pragmatism: typography that carries a message, photography direction that holds a concept, and visual systems that work across print, OOH, and screen. Parsons School of Design, 1997. Currently available for freelance projects — retainer, project, or day-rate. Based in New York, working with clients anywhere.

What collaborators say

Paul brought an amazing level of graphic design to our brand when we needed it most. He also conceived of an iconic arresting and exquisite vision for our Olympics project, our most high-profile work to date. Plus, he's a pleasure to work with and to know. Highly recommended.
— Thomas Puckett, EVP Creative Director, Grey Worldwide North America

As soon as I saw Paul's design work I knew I wanted him to work on my team. His work was sophisticated, yet communicated a cleverly mass appeal as well. Full of passion and energy, he elevated whatever assignment he was working on. His designs are articulate and emotional– pleasing clients and sales people alike
— Gary Armstrong, Chief Marketing Officer, Rolling Stone, Us Weekly, Men's Journal

In the time Paul Morris and I worked together on special ad supplements at The New Yorker, I was always impressed with his considerable skills as a graphic designer and his desire to push the creative bounds to great effect. In spite of weekly–sometimes, daily— deadlines, Paul brought his best stuff to the in-book projects we worked on, and I enjoyed our collaborations because of it. Clients also took notice, and his smart style helped to bring them back to the title's pages time and again.
— Angela Gaudioso, Director & Editor, Special Sections, The New Yorker

I had the pleasure of working with Paul on a few projects at Maui No Ka Oi magazine. Paul was confident and professional with his directions and gave examples of the style and composition the magazine was looking to have featured. This gave me the perfect path to execute the images needed to complete each project.
— Chris Archer, Professional Photographer and Videographer Based in Maui, HI